‘The Thin Red Line’. Oil on board. 2500h x 1260w mm

‘Drawing Theory’. Dyptich. Cut out. Ink and pencil on paper in 3D. 1600h x 1300w mm (each)

Drawing # 2. Sold

‘Death of a Bird’, A.D. Hope. Charcoal on board. 1400h x 1040w mm.

‘Death of a Bird’, A.D. Hope. (Detail)

‘Book of Hours, Days, Months. Lightbox. Mixed media on translucent acrylic. 1400h x 1200w mm.

‘A Place of Casual Inattention’. Lightbox. Mixed media on translucent acrylic. 500h x 390w mm

‘The Locus in the World’. Chalk on ramboard. 2340h x 910w mm.

‘The Floating World, Talbragar Lake, Gulgong’. Cut out. Ink and pencil on paper in 3D. 1220h x 1690w mm

‘This Sacred Place’. Oil on canvas. 2000h x 1500w mm.

‘The Crossing’. Cut out. Ink and pencil on paper in 3D.860h x 1290w mm

‘The Place Where you Live’. Ink and pencil on paper in 3D. 1150h x 1000w mm

‘Realty and Reality’. Cut out. Ink and pencil on paper in 3D. 1040h x 1300w mm

’20 Narratives’. Cut out. Ink and pencil on paper in 3D. 1370h x 940w mm

’20 Narratives’. (Detail)

‘Tabula Cebetes’. Chapter 10. Cut out. Ink and pencil on paper in 3D. 730h x 530w mm

‘Tabula Cebetes’. Chapter 12. Cut out. Ink and pencil on paper in 3D. 730h x 530w mm

‘Tabula Cebetes’. Chapter 13. Cut out. Ink and pencil on paper in 3D.730h x 530w mm

‘Tabula Cebetes’. Chapter 15. Cut out. Ink and pencil on paper in 3D. 730h x 530w mm

Chair Diptych. 320h x 480w mm

Sold

‘Afternoon Horizontal’. Oil on canvas. 400h x 400w mm

‘Wet Evening Vertical’. Oil on canvas. 400h x 400w mm.

‘Floating Coast near Kiama’. Oil on board. 650h x 850w mm

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‘Heath’. Chalk and charcoal on board. 1200h x 1200w mm approx

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‘Altar’. Chalk and charcoal on board. 1000h x 750w mm approx.

Charles Conder’s ‘Balmoral Beach’ 1888 with Henri de Toulouse-Lautrec’s ‘Jane Avril leaving the Moulin Rouge’ (displaced). 12h x 19w cm. Oil on board

Arthur Streeton’s ‘Sydney from the Artist’s Camp’ (also known as ‘Sydney Harbour from Sirius Cove’) 1894 with giraffe. 12h x19w cm. Oil on board

Sold

Arthur Streeton’s ‘Near Streeton’s Camp at Sirius Cove’ 1892 with Smike tag. 17h x 12w cm. Oil on board

H.J. Weston’s ‘Evening, Mosman’s Bay’ 1916 with cosmic indifference. 15h x 13w cm. Oil on board

Arthur Streeton’s ‘Travellers Rest’ (also known as the ‘Old Inn, Richmond, Hawkesbury River’) 1896 with Harry Stevenson helping Charles Conder down to the barn. 17h x 15w cm. Oil on board

Percy Leason’s Marjory Leason (Kuhfahl) in Studio c. 1920 with iPad. 20.5h x 13w cm. Oil on board

Fred Leist’s ‘Summer Moon’ with Drogon decending. n.d. 14h x 16w cm. Oil on board

Elioth Gruner’s ‘In the Orchard’ 1917 with battery hen day release. 13h x 18w cm. Oil on board

Sold

H.A. Hanke’s ‘Spring Day, Gunamatta Bay’ 1926 with picnic remnants. 13.5h x 15.5w cm. Oil on board

Sold

Emanuel Phillips Fox’s ‘The Butterfly’ n.d. with Ethel Carrick Fox painting Manly Beach. 20.5h x 13w cm. Oil on board

John Mathers’ ‘The Artist as his easel’ (Louis Abrahams) 1887 with R U OK? 19.5h x 13w cm. Oil on board

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Elioth Gruner’s ‘Along the Sands’ c. 1918 with Haydenshapes ‘Abysse Print Plunder FutureFlex’ board. 13.5h x 24w cm. Oil on board

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Richard Ashton’s ‘Flight’ 1936 with non-biodegradable items. 13h x 15w cm. Oil on board

Arthur Streeton’s ‘Sirius Cove’ 1890 with uninvited and unwanted intrusion. 12h x 19.5w cm. Oil on board

Jesse Jewhurst Hilder’s ‘Stableyard, Currency Lass Inn, Parramatta’ n.d. with Stihl MS170. 14.5h x 20w cm. Oil on board

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Girolamo Nerli’s ‘A Wet Evening’ 1888 with light rail inconvenience. 14h x 17.5 cm. Oil on board

Arthur Streeton’s ‘Balmoral Beach’ (also known as ‘Sorrento, Naples’) 1897 with non-biodegradable item. 19.5h x 8w cm. Oil on board

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Howard Ashton’s ‘Dusk’ 1938 with Blue Moon cicada. 16h x 13w cm. Oil on board

Percy Lindsay’s ‘Pymble’ 1925 with Henry Lawson’s Spots of Red and White. 13h x 17.5w cm. Oil on board

Sold

Elioth Gruner’s ‘Bondi Beach’ 1919 with rivals for the drowned 13.5h x 24w cm. Oil on board

Sold

Ernest Buckmaster’s ‘Rhododendrons’ 1930 with cracked glass. 16h x 13w cm. Oil on board

Sold

Arthur Streeton’s ‘Canal Scene, Venice’ 1926 with sea rise consequence. 12h x 20w. Oil on board

Arthur Streeton’s ‘Blue Pacific’ 1890 with toy boat. 20h x 13.5w cm. Oil on board

Will Ashton’s ‘An Old Street, Concarneau, France’ 1932 with Yellow Vest protesters. 13h x 16w cm. Oil on board

Clarice Beckett’s ‘Ranunculi with Beads’. 1929, with Evian bottle. 11.5h x 16w cm. Oil on board

Arthur Streeton’s ‘Gloucester Buckets’ 1894 with artist’s choice. 14h x 16w cm. Oil on board

Arthur Streeton’s ‘Still Life with Chops and Eggs’ c. 1888 with fragment of Milk Glass vase found at Sirius Cove’. 10.5h x 12.5w cm

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Tom Roberts’ ‘self portrait’ 1889 wearing a Locus Non Consequensia t-shirt. 20h x 15w cm. Oil on board

John Llewellyn Jones’ ‘Beach near Cheltenham, Victoria 1896 with worshippers’. 9.5h x 20w cm. Oil on board

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Esther Paterson’s ‘The Yellow Gloves (also known as Portrait of Betty Paterson)’ 1938 moonlighting as Ronald McDonald. 18h x 14w cm. Oil on board

Anton Von Neogrady’s ‘The Water Mill’ n.d. with bonjour Monsieur Courbet. 12h x 18w. Oil on board

Maud Sherwood’s ‘The Dyers Shop, Kairanan, Algeria’ 1928 with potted history. 13h x 17.5w. Oil on board

Clarice Beckett’s ‘Still life with fish, plate, bottle and bag’. c. 1919 14h x11.5w cm. Oil on board

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Jean Beraud’s ‘La Danseuse’ 1873 with silver Glock. 15h x 9w cm. Oil on board

Percy Leason’s ‘The Student’ 1921 and Clarice Beckett’s still life. 11h x 22w cm. Oil on board

Elioth Gruner’s ‘Near Nambucca Heads’ 1933 with Brian Cannell looking on. 14h x 14.5w cm. Oil on board

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Percy Leason’s ‘Fog’ with emergency sea ditch n.d. 13h x 18w cm. Oil on board

James Cook’s ‘The Bequinage, Brussels 1940 with Brexiteer’. 13h x 17w cm. Oil on board

Elioth Gruner’s ‘Fisherman Coogee Beach’ 1913 with Boeing 787 Dreamliner. 12h x 16w cm. Oil on board

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Margaret Fleming’s ‘The cockatoo’ 1895 with six-pack rings. 7h x 15w cm

Girolamo’s Nerli’s ‘Fishing Boats’ n.d. with string quartet. 14h x 14w cm. Oil on board

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Elioth Gruner’s ‘Sunrise, Yass’ 1931 with sharpened corona. 11h x 16w cm. Oil on board

Fred Leist’s ‘London Coster Girl’ 1912 with Sun Xun’s ‘Reconstruction of the Universe’. 18h x 14w cm. Oil on board. 2019

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Arthur Streeton’s ‘Dolce far niente’ (how sweet it is to do nothing). 1894, with trees marked for removal. Diptych. 130 x 34.5 cm. (c)

Arthur Streeton’s ‘Dolce far niente’ (how sweet it is to do nothing). 1894, with trees marked for removal. Diptych. 130 x 34.5 cm. (a)

Arthur Streeton’s ‘Dolce far niente’ (how sweet it is to do nothing). 1894, with trees marked for removal. Diptych. 130 x 34.5 cm. (b)